I am very privileged to be a part of the writing group ‘CONArtists.’
Each time we meet, we do at least one speed writing exercise for 15 minutes. If you’d like to come along, pm me in the usual place!
One example of 15 minute momentary abuse…
I am very privileged to be a part of the writing group ‘CONArtists.’
Each time we meet, we do at least one speed writing exercise for 15 minutes. If you’d like to come along, pm me in the usual place!
One example of 15 minute momentary abuse…
Soundcloud didn’t like this file, so I’m trying a new location. Finally it is written, after 18 months rolling the one line around my mind. ‘A come-fuck-me dress and a Doris Day smile.’
So I kept wishing a poem and two came at once. It is rare for me to wait for buses… I normally choose to walk, regardless of the weather. I kept getting this nagging line, nag, nnnag, nnagging line and out came one, followed quickly by another completely different to the first. The first is called ‘Don’t Mention Gary Glitter’ and, to be honest, it’s not very nice. Hardcore vitriol. So I’m choosing to post the one my mum likes before I slam in with the bitter acidic stuff. Oh! It feels good to find some words again.
You should read this… it’s important. And rather well put by the Unofficial Poetry Society…
via Writing Competition!! Big Prizes!! Rip-Off!(right-click to open in a new window!)
There are only a few spaces for this but it is going to be a magnificent exclusive event – never to be forgotten. Please come and support the support act too!! Places can be reserved via the Ubuprojex website (right-click to open in a new window)
Imagine an art gallery where every canvas is the same size, every painting uses the same media, every image is monochrome.
Some may argue that it would be a fabulous art gallery to visit. You get to concentrate on the subject matter rather than be distracted by an artist’s individuality in the way he presents himself. Some may say that to create art with such constraints is a breach of the fundamentals of art. The artists themselves would most likely see it as an interesting exercise but refuse to conform to it being the norm.
Yet poets conform. Every ‘official’ representative body of the poetic world enforces strict rules on how poems should be presented to them. I presume this means that poems of other formats are not ‘proper’ poems.
I have just completed and published my second poetry collection along with another author’s, making a total number of fifteen books I have helped through to publication. Each one is unique. In some cases the author has illustrated, in others the author has asked for a settled spacing to create an additional question of the book as a whole, in one there is a blatant conglomeration of prose and poetry on the same page… and they are all magnificent.
The progression of poetry outside of the ‘established’ organisations, is an exciting transformation into a combined visual, audible, anarchical attack of the reader. And it’s thrilling. In my town, Brighton, poems are being posted in disused buildings, stickered on empty shops and every poetic rule is whipped into submission by the poet’s desire to just ‘get it out there’ because they also see the need to create a new audience and a new platform for their work.
I have no doubt that once these ‘rebel’ poets have achieved that audience, drowning out the table pounding of die-hards bleating on about meter, those same ‘official’ representatives will embrace the genre, say that it was all their idea anyway and then impose rules on how subsequent works should be presented in order to achieve recognition.
So I hereby declare the formation of the Unofficial Poetry Society. The only rule is that there are no rules. Sign up at any local lavatory wall. No subscription required.